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Public Parking Publication is delighted to announce the participants in our 2026 editorial residency. For this program, we aim to work with thinkers who are adjacent to or outside the realm of the arts as part of Public Parking’s ongoing efforts to broaden the scope of ideas we feature and the communities we reach. This project invites guest editors to serve as residents of the publication for an extended 12-month period. Throughout this time, they will work with our team to publish a series of texts, either self-written or in collaboration with other writers of their choosing. Previously, we’ve hosted…

Public Parking is delighted to announce the writers involved in our editorial residency for 2024. For this program, we aim to work with thinkers who are adjacent to or outside the realm of the arts as part of Public Parking’s ongoing efforts to broaden the scope of ideas we feature and the communities we reach. This project invites guest editors to be residents at Public Parking over an extended 12-month period. Throughout this time they will work with our team to publish a series of either self-written or programmed texts. We are glad to welcome editorial residents eunice bélidor, Tammer…

Public Parking is very delighted to announce our new editorial residency program. For this program, we aim to work with thinkers who are adjacent or outside the realm of the arts as part of Public Parking’s ongoing efforts to broaden the scope of ideas we feature and the communities we reach. This pilot project invites guest editors to be residents at Public Parking over an extended six-month period. They will work with our team to publish a series of either self-written or programmed texts throughout this time. We are delighted to welcome editorial residents Chigbo Arthur Anyaduba and Emily Doucet for the inaugural run of…

We are very excited to be bringing you some coverage of the 3rd Kamias Triennial from Quezon City, in the Philippines. Beginning February 7th through 22nd, the third edition of the triennial will unite a breadth of international and local artists in a series of exhibitions, performances, screenings and workshops across multiple venues in the city. Under the title of “Sawsawan: Conversations in the Dirty Kitchen”, this iteration of the triennial as the organizers and curators describe, “foregrounds [an] intention to gather [in a space] where we can engage in messy, complex and nourishing conversation generated by the many voices of…

Dutch artist and fellow printmaker MC Escher comes to mind when viewing woodcut printmaker, Gabriela Jolowicz’s at times winding, and playful perspectives that take us in multiple directions all at once. Albrecht Dürer is another early woodcutter and fellow German whose work parallels Jolowicz’s overcrowded and skewed pictorial spaces that are easy to get lost in. Jolowicz, like Albrecht, has a way of playing with a false perspective, and with the size of forms and objects in relation to one another. Below is a sample of Jolowicz. Check out more on her work Here.

Japanese Canadian Kieta Morimoto’s meticulous and ambitious paintings appear to be situated within the same space as European Old Masters and in a way, creates an intriguing subversion that keeps you staring in contemplation. His paintings draw on a learned interest in premeditated compositions, modeling, and refined surfaces. We asked Morimoto share with us a few words he might freely associate with his paintings and below is what he came up with: extraordinary, Ordinary, Magic, Light , City , Common People , Fantasy, Ambivalence, Memory Lane , Nostalgia, Melancholy , Peaceful You can check out a sample of his work below: