Archive

With beginnings dating back to 2014 , Kamias Triennial (Quezon City, Philippines) has steadily created a formidable alternative to the flashy blockbuster art exhibition event. Though grown out of an independent mentality, it continues to thrive with the retained relations the organizers have fostered over the years with local artists and organizations in the host city. In its third iteration, the Triennial is a picture of what arises out of sustained collaboration and community interdependence within the limits of available resources. Hosted across several venues, this year’s offering gathers over twenty different artists and collectives with connections to over ten countries many of which will…

The film is named The Farewell in English. In Chinese, it’s called 别告诉她, which would more accurately translate into English as ‘Don’t Tell Her’. My friend, in positively reviewing the movie, said: “You know an Asian girl who went to art school and then made this movie.” He was absolutely right. Bitchily, I thought, yeah I got that from the commentary that the translated English film title is probably supposed to make. Still, I couldn’t feel as ironic about seeing it as I would have liked to. I watched it twice, once on my laptop alone and stoned in my bedroom, and…

In its seventh year, Mexico City’s Material Art Fair has certainly cemented itself as one of the premier global destinations for art. Focused, fresh, dynamic and unpretentious, the fair continues to draw some of the more important and critically curious works that perfectly balances local discourses and practices with currents occurring in Europe and the Americas (note the exception of galleries from the African continent and periphery areas. Whether this is a lack of outreach from fair organizers or interest from prominent galleries on the continent of Africa and other areas of the global south is up to speculation). To…

2019 was proclaimed the International Year of Indigenous Languages by The United Nations. Initiatives around the world were created to promote the learning and preservation of Indigenous languages, as well as to raise awareness on the language rights of Indigenous people. 2019 also reminded the world that violence towards Indigenous people, their cultures and their land is ongoing. It is significant that an international organization such as the UN could create a platform for the experiences of Indigenous people worldwide this past year, and of course, events around Indigenous languages, cultures, and rights continue to be organized. (To view some…

We are very excited to be bringing you some coverage of the 3rd Kamias Triennial from Quezon City, in the Philippines. Beginning February 7th through 22nd, the third edition of the triennial will unite a breadth of international and local artists in a series of exhibitions, performances, screenings and workshops across multiple venues in the city. Under the title of “Sawsawan: Conversations in the Dirty Kitchen”, this iteration of the triennial as the organizers and curators describe, “foregrounds [an] intention to gather [in a space] where we can engage in messy, complex and nourishing conversation generated by the many voices of…

Through the imperceptible wifi connections linking myself and Eve Tagny, I could feel her love, trials, and vast experience with plant life. Coming together over FaceTime conversations darting between Winnipeg, Montreal, and Johannesburg, from fall to early winter, we spoke at length in varying shades of brown and green. She mentioned her current favourite plants (one is Gunnera, for those wondering), we shared thoughts about the relationship between nature and trauma, and her meditations on the garden as a space of pause remain imprinted on my mind. In Tagny’s practice, natural, living materials act as mediums to disseminate the poignant feelings of…

Dear Katie, Year-end ‘lists’ (I can’t resist the scare quotes!) have always struck me as inherently optimistic. I also find that reflecting on beloved content from the previous year reminds me of all the media I wished I’d engaged with — books left unread, tabs reluctantly closed, screenings missed, and exhibitions that ended before I got my shit together! (TBH, I often find that reading other people’s year-end lists inspires FOMO.) In the spirit of confronting insecurities, then, I should admit that I’ve been binging Gossip Girl. I’ve been watching the series as I recuperate from surgery. While it’s possible that…

Susanna Jablonski is a Stockholm-based artist working with sculpture, moving image, sound and music to test the boundaries of materials, time, and human experience. She considers the tensions of interpersonal relationships in the collective, as mediated through objects, nature, historical consequences, and human-built systems. Jablonski is a frequent collaborator of artist and filmmaker Santiago Mostyn. And together with performance artist Cara Tolmie, she organizes an ongoing series of Listening Sets as part of their joint research project “Gender of Sound,” which hosts work by artists that support a practice of close listening with the participation of an audience (encouraging those with…

Debby Friday is one of the most dynamic and multi-faceted performers I have been able to engage with. Her performances are electric, aggressive, and arresting but that is only one of a few mediums at her fingertips. A self-described experimentalist, her creative and intellectual palette spans wide, ranging from performance, writing, sound theory, and audio-visuals. We crossed paths years ago in Ottawa through a mutual friend. Although the encounter was brief, it has been wonderful to witness the evolution of her creative practice since then. From the beginning of her DJ days in Montreal to the leap into recording and…

When I started reading about Ayesha Singh’s work, I was also reflecting on utopia in relation to localized aesthetics and ‘global’ migrations. I had just visited Jonas Meskas’ posthumous exhibition, Let me dream utopias, at Rupert in Vilnius and circled in the exhibition essay: “‘Real utopias,’ Mekas claimed, ‘may only be found within one’s small closed village evoked with the specific mouth muscles of one’s mother’s tongue.’” In our interview, Singh and I never got around to asking each other the name of our ancestral village, but I think (and I hope) we felt the pulse of the ghost muscle linking her…