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I can’t quite remember when I first encountered Sameer Farooq’s work. It may have been during the years I was working full-time in a museum. What I do remember is the surprise of seeing his name, years later, on the roster for a movement class I was teaching at Mosaic Yoga on Sterling Road—just a few doors down from the Museum of Contemporary Art in Toronto. I felt shy about striking up a conversation with an artist whose work I so deeply admired. Eventually, though, I gathered the courage to introduce myself as more than his Pilates teacher and asked…