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Katrina Mendoza‘s new series of studies liberally yet diligently disintegrates seemingly anonymous forms into disparate individual parts and then culminates them back into a new whole. A new whole she refers as ‘pseudo-structures’ which do result in an unresolved and irregular finish. Check out the series below and as well, read more about her and her work here.

From the series ‘Every Bedroom I’ve Lived In’ Alyssa Bornn takes an intimate and closely considered course to recalling from memory and presenting us with floor plans for the titular series by way of a flatbed scanner. Below are results of her experiments which employs an array of materials including plexiglas, wax paper, packaging plastic, glass and plastic protective film all of which she selected for their ability to manipulate light therefore helping retrace and draw on these architectural spaces she resided in.  Bornn speaks on the scanograph series: Throughout the duration of a six-minute pass on a flatbed scanner objects are arranged to map…

A couple things come to mind when looking at work by Danny Fox; it can range from at times being very unnerving and surreal to being intense and exciting when viewed all at the same time. He liberally plays with color like a happy sugar-high kid. Fox is a self-taught artist; he has never been to art school or had to sit through any crits offered in any formal studio art classes. In that, his paintings reveal a charming sense of inquisitiveness for form in painting. Though with that sense of childish naiveté to his renderings, he toys with reoccurring…